Earlier this year I took my daughter to the South Australian Museum, as I often do on weekends. We usually have lunch at the Art Gallery, and then wander the various levels of the Museum at a pace suitable for a 7-year old. The South Australia biodiversity floor is her favourite.
Of course I’m a little biased in my opinion because I live in Adelaide, but in my attempt to be as objective as possible, I think we’re particularly fortunate to have this excellent museum at our doorstep. Not only are the exhibitions and displays top-notch, it is one of the most research-active museums in the country. In my opinion, it’s one of the best museums in Australia. To top it all off, admission is free.
However, this post isn’t about spruiking the museum – it’s about something deeply disturbing I experienced there during that visit earlier this year. In addition to the normal free displays, the Museum often has a special exhibition that one must pay to view. I often don’t bother with this, but on this particular occasion, the temporary exhibition called Ngintaka was free of charge.
Ngintaka was an eclectic mix of song, story, dance, painting and carving from the Anangu Pitjantjatjara Yankunytjatjara (APY Lands) as told by Anangu Traditional Owners. While most of the displays were great, there was one that stood out in particular. Read the rest of this entry »
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