Offshore Energy & Marine Spatial Planning

22 02 2018


I have the pleasure (and relief) of announcing a new book that’s nearly ready to buy, and I think many readers of might be interested in what it describes. I know it might be a bit premature to announce it, but given that we’ve just finished the last few details (e.g., and index) and the book is ready to pre-order online, I don’t think it’s too precocious to advertise now.


A little history is in order. The brilliant and hard-working Katherine Yates (now at the University of Salford in Manchester, UK) approached me back in 2014 to assist her with co-editing the volume that she wanted to propose for the Routledge Earthscan Ocean series. I admit that I reluctantly agreed at the time, knowing full well what was in store (anyone who has already edited a book will know what I mean). Being an active researcher in energy and biodiversity (perhaps not so much on the ‘planning’ side per se) certainly helped in my decision.

And yes, there were ups and downs, and sometimes it was a helluva lot of work, but Katherine certainly made my life easier, and she has finally driven the whole thing to completion. She deserves most of the credit.

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Innate cruelty and exploitation: does biodiversity stand a chance?

11 11 2014

mean childEarlier this year I took my daughter to the South Australian Museum, as I often do on weekends. We usually have lunch at the Art Gallery, and then wander the various levels of the Museum at a pace suitable for a 7-year old. The South Australia biodiversity floor is her favourite.

Of course I’m a little biased in my opinion because I live in Adelaide, but in my attempt to be as objective as possible, I think we’re particularly fortunate to have this excellent museum at our doorstep. Not only are the exhibitions and displays top-notch, it is one of the most research-active museums in the country. In my opinion, it’s one of the best museums in Australia. To top it all off, admission is free.

However, this post isn’t about spruiking the museum – it’s about something deeply disturbing I experienced there during that visit earlier this year. In addition to the normal free displays, the Museum often has a special exhibition that one must pay to view. I often don’t bother with this, but on this particular occasion, the temporary exhibition called Ngintaka was free of charge.

Ngintaka was an eclectic mix of song, story, dance, painting and carving from the Anangu Pitjantjatjara Yankunytjatjara (APY Lands) as told by Anangu Traditional Owners. While most of the displays were great, there was one that stood out in particular. Read the rest of this entry »